Watch Glee Season 3 Episode 4 – Pot O’ Gold by E

Watch Glee Season 3 Episode 4 – Pot O’ Gold by A now! In order to watching for free, you can click the link now!

It also happens to be a musical. And while those haven’t traditionally done well on television, and the very mention of the word might make you think of “Cop Rock” or worse, “Glee” is completely different in this one regard: It’s great.Created by Ryan Murphy (“Nip/Tuck,” “Popular”), the series is an irreverent, upbeat, non-cynical take on the cliche-ridden trope of high school life, as seen through the eyes of cheerleaders, jocks, quirky and underpaid teachers and – now that the geeks have inherited the hip tech world – the lowest of the low: the Glee Club.

The series premiered on the last night of last season, airing after “American Idol.” Not only did “Glee” get noticed and sampled, but those people who fell in love with it had to wait through the off-season as anticipation built. There’s been plenty of hype for the show, and being one of the few alternatives to the president tonight might not hurt either. Left on its own, bumping up against a cop drama, “Glee” might not work, but it will benefit greatly by being paired with “So You Think You Can Dance” and later “American Idol.”

By airing an episode of “Glee” months in advance of its proper debut, and by making that episode and the cast so available to potential viewers over the summer, Fox theoretically has a big leg up on the other two dozen or so other new series that will be debuting over the next month. Anecdotally, I’ve heard more questions and comments about “Glee” than any other new show, and when it comes up, it becomes clear that the people who talk about it love it, more than a mouse loves cheese. The May sneak preview airing averaged a little under 10 million viewers. On its own, that’s a very good number in this fragmented viewing age. But consider that 60 percent of the people watching “Idol” immediately before either changed the channel or turned off the TV. Forty percent retention out of “Idol” isn’t awful (every show that airs after “Idol” loses a good chunk of its lead-in), but not great, either.

And the thing about all that early audience fervor is that, as designed, “Glee” will make at least as many people despise it as adore it. Early and often, it lays down the gauntlet about whether it’s a show for you or not. Now, I’ve got no objection to show tunes, but they don’t instantly make my heart leap when I hear them in a novel context, and they’re not enough to make me overlook the usual shock value tactics and sledgehammer satire of co-creator Ryan Murphy (“Nip/Tuck”).

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